Reverse Erasure
Interactive erasure poetry tool that lets you create new meaning by removing text from existing poems.
Created Apr 19, 2024 - Last updated: Apr 19, 2024
âī¸âŠī¸ Try the Interactive Erasure Tool
đ¨ Embedded Demo
đ About Erasure Poetry
Erasure poetry is a form of found poetry created by erasing words from existing text to reveal new meanings hidden within. Notable practitioners include:
- Jen Bervin - Shakespeare erasures
- Janet Holmes - “The ms of my kin” (Emily Dickinson erasures)
- Mary Ruefle - White-out erasures of vintage texts
- Tom Phillips - “A Humument” (ongoing erasure of Victorian novel)
This digital tool brings the tradition into interactive media, allowing exploration of temporal creation - the ability to move backward through your creative process.
đ How It Works
- đ¤ Upload Image: Load any image of text or poem (PNG, JPG)
- âī¸ Erase: Click and drag to create white circles that “erase” parts of the text
- âĒ Reverse: Click “Reverse Erasure” to watch your creative process undo itself step by step
- đ Iterate: Explore different erasure paths and meanings
đ ī¸ Interactive Features
- File Upload: Import your own poem images or manuscript pages
- Mouse/Touch Erasing: Intuitive click-and-drag erasure interface
- Temporal Reversal: Step-by-step undoing of your creative decisions
- Responsive Scaling: Images automatically fit the canvas while maintaining aspect ratio
- Default Content: Includes sample poem to experiment with immediately
đģ Technical Implementation
Built with p5.js creative coding framework:
- Canvas-based interaction - Smooth drawing and image manipulation
- File handling - Local image upload and processing
- Path recording - Stores every erasure action for playback
- Temporal algorithms - Reverse chronology through recorded actions
- Responsive scaling - Automatic image fitting and aspect ratio preservation
đ¯ Creative Concepts Explored
- Found Poetry - Creating new meaning from existing text
- Digital Palimpsest - Layered writing where traces remain
- Temporal Creativity - Time as a creative dimension to manipulate
- Interactive Literature - Reader as active participant in meaning-making
- Process Documentation - Making the creative process visible and reversible
đ Erasure Poetry Techniques
This tool supports various erasure approaches:
- Selective Extraction - Removing everything except key words/phrases
- Systematic Patterns - Erasing according to rules (every 3rd word, etc.)
- Intuitive Discovery - Following visual/emotional impulses
- Sculptural Approach - Revealing forms and shapes in text layout
- Narrative Threading - Finding hidden stories within existing text
đ Educational Applications
Perfect for:
- Poetry workshops - Hands-on exploration of found poetry techniques
- Digital humanities - Interactive engagement with literary texts
- Creative writing classes - Understanding how meaning emerges through subtraction
- Art therapy - Non-verbal creative expression through text manipulation
- Literary analysis - Discovering multiple readings within single texts
đ The “Reverse” Innovation
The temporal reversal feature adds a unique dimension to digital erasure:
- Process Awareness - See how meaning evolved through your choices
- Creative Debugging - Undo specific decisions while keeping others
- Performance Documentation - Turn creation into viewable performance
- Teaching Tool - Demonstrate how different choices create different meanings
- Artistic Statement - Comment on the permanent nature of traditional erasure
đ¨ Philosophy of Subtraction
“Poetry is what gets lost in translation” - Robert Frost
This tool embodies the paradox that removing words can add meaning. Each erasure is a creative decision that:
- Highlights the remaining text through isolation
- Creates negative space that becomes significant
- Reveals hidden connections between distant words
- Transforms original intent into new interpretation
The ability to reverse these decisions adds temporal complexity - we can explore not just the final poem, but the path of creation itself.
“In erasure, what remains is as important as what disappears”